Showing posts with label syncopation. Show all posts
Showing posts with label syncopation. Show all posts

Tuesday, 12 June 2012

Lick of the month #1

Welcome to the first ever 'Lick of the month'! I'm going to be adding a new lick to my blog every month (as the name suggests...) starting today! This months lick is a ii V I in Bb major. It was played by Miles Davis on 'Autumn Leaves ' from the brilliant album 'Somethin' Else'. 



From a functional point of view I like to know where any licks I'm playing start in relation to the root of the first chord, in this case C minor. The starting note is an F which is the 4th of C minor, or the fret below C! Having this reference point helps me to get the lick out when I need it!

The opening bar Davis is playing up the C Dorian scale ending on an F which could be seen as an 11th but I feel that the way the notes are phrased he is bringing the F7 in a beat early, the same way he did in his solo on So What. He rounds this off by landing on the root of the I chord. 

Another nice feature of this lick is the placement of chord tones. In the first bar leaving an 8th beat rest shifts the Eb (3rd) and G (5th) onto beats 2 and 4, which I think gives it a syncopated feel compared to the straight second bar.

On the video I play the lick at 110 bpm, which is pretty much the original speed. A slowed down version at 80bpm and a faster one at 160bpm. It's always good practice to play any new licks at different tempos as well as taking them through all 12 keys.


Tuesday, 15 May 2012

She Loves You Transcription

This is a classic song from The Beatles which I will be playing at the weekend, with Friends Of The Bride, for the happy couples first dance. The full transcription is available for download here. If you're playing along with the original it seems to be slightly flatter than standard tuning so don't worry if you're sounding a bit out!


The form for this song is about as straight forward as it gets, with each section lasting a very unoffensive 8 bars and Sir Paul keeps the bass relatively simple playing root notes and fifths with the occasional passing note and one or two 8th note runs.


The main point of interest for me in this song was the one bar of syncopation after the 'She Loves You' refrain, bar 18 (bar 1 in the example below). Here McCartney shifts the accent from beats 1 and 3 where it stays for most of the song to beat 1 and  the 'and' of beat 2, before quickly jumping back in to the regular beat 1 and 3 accents.






A very effective yet simple technique that's well worth practicing. Nicely done Sir!